Name:
Dimensions
23” x 12” x 61”
Material
Maple, Poplar, Ply,Walnut and Maple Veneer, Acylic Paint
Please email product name to hello@njroseti.com to inquire
about the Collection
Like the Rest of Me, a floor-standing shelf, explores how ideas are accepted, rejected, or partially integrated into human understanding. Its base presents three interwoven symbols: flames, a chalice birthing the earth, and a laurel wreath, each representing a mode of ideological reception.
Flames symbolize total rejection, a space where disruptive ideas are cast away. The lowest shelf extends this motif, emphasizing destruction as a form of intellectual curation.
The chalice birthing the earth, positioned above, represents partial acceptance, a vessel of transformation where select ideas are preserved while others are ignored. The middle shelf mirrors this process of selective engagement.
At the top, the laurel wreath signifies full acceptance, an idea is received without fragmentation or resistance, standing as a fully realized concept. The highest shelf extends this motif.
Together, these elements critique the fragmented nature of human understanding, with earth situated between symbolic heaven and hell, representing the contested space where ideas are negotiated and reshaped over time.
Like the Rest of Me Shelf
Dimensions
23” x 12” x 61”
Material
Maple, Poplar, Ply,Walnut and Maple Veneer, Acylic Paint
Inquire
about the Collection
Like the Rest of Me, a floor-standing shelf, explores how ideas are accepted, rejected, or partially integrated into human understanding. Its base presents three interwoven symbols: flames, a chalice birthing the earth, and a laurel wreath, each representing a mode of ideological reception.
Flames symbolize total rejection, a space where disruptive ideas are cast away. The lowest shelf extends this motif, emphasizing destruction as a form of intellectual curation.
The chalice birthing the earth, positioned above, represents partial acceptance, a vessel of transformation where select ideas are preserved while others are ignored. The middle shelf mirrors this process of selective engagement.
At the top, the laurel wreath signifies full acceptance, an idea is received without fragmentation or resistance, standing as a fully realized concept. The highest shelf extends this motif.
Together, these elements critique the fragmented nature of human understanding, with earth situated between symbolic heaven and hell, representing the contested space where ideas are negotiated and reshaped over time.
